Overconsumption drives obsolescence by fostering a culture where products are rapidly replaced rather than maintained or repaired. A symptom of this cycle is fly tipping, littering cities' obsolete pockets with a fluctuating rhythm of material. To uncover deeper value in what’s left behind, the project moves beyond simple reuse, creating choreographies and projected distortions that transform discarded items into abstract compositions. These experiments obscure original functions, shifting how we perceive waste—not as debris, but as narrative and aesthetic material.

From this research, a fly-tipping infrastructure is proposed: a network of architectural interventions embedded in obsolete city fragments. Each node focuses on collecting, sorting, repairing, and reusing specific types of waste. Materials move through a logistics system that enables continual reclassification and redistribution. The buildings also act as transformative sites where waste is reimagined within the structures themselves. Together, the network redefines how cities engage with material excess and reintroduces forgotten fragments into the civic imagination.