Materialising the extrusions meant refining raw forms through 3D modelling. This process transformed abstract volumes into architectural elements, enabling detailed exploration of scale, structure, and spatial logic guided by the original image data.

From the beginning, I approached the foreshore with sensitivity to its quiet, hidden presence. A ramp rises from the sand to reveal the overlooked, while a suspended form, like a shipwreck, marks a threshold between the known city and forgotten shore

The ground floor plan uses layered elements to reveal spatial and structural logic, showing the footprint, above and below ground extrusions, structural cuts, and depth changes to express form, layering, and site integration

The central rope-like extrusion, inspired by rope photo studies, becomes a continuous architectural gesture. It forms elements like a bookshelf, stair, and reception desk, weaving space and function into a fluid sequence shaped by movement and line.

The renders capture shifting views of the building as one approaches, where the shipwreck image that shaped the form fragments and reconfigures. The form reveals new spaces and configurations, becoming an architectural image in motion.