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The rural exodus of inland Portugal is a reality inundated with the remnants of authoritarian colonial thinking, capitalist linear metabolisms, and extractivist logic.
Rural Assemblies addresses the ongoing marginalisation, subjugation, and spatial injustice of inland Portuguese territories, forming a speculative response to a controversial land law implemented in January 2025. The project proposes a cyclical return to rural Portugal, though this time not as colonisers subjugating the land, but as stewards in reciprocity with it.
Three speculative architectural proposals emerge: local assemblies decentralising rural decision-making; a network of productive soft infrastructures that perform acts of stewardship for humans, non-humans, and the land; and speculative rural housing typologies for three semi-fictitious iterations of the student’s father.
The project is narrated through a reinterpretation of traditional azulejos as a critical design tool, employing a heterogeneous design methodology that merges vernacular rituals and generational oral histories as a situated epistemology.
The relationship between pen and tool reinterprets traditional azulejos as storytelling stones, merging drawing and carving as an iterative design tool exploring light, atmosphere, and time. The stone actively participates in design and narration.
Speculative rural dwellings question how to assemble a sense of belonging in inland Portugal. A notion of home is shaped through the student’s father’s memories and misremembrance of place.
Drawing from small-scale agrarian extraction techniques, where stone extraction becomes a daily practice alongside planting, pruning and harvesting the land, an alternative multi-axis plug-and-feather split-stone tectonic language is developed.
Ongoing working drawings look to construct the spatial conditions evoked in the storytelling stones, employing the developed architectonic language. Blending assembly details with descriptions of atmospheric and phenomenological conditions.
The proposed regional corridor adopts a rhythmic construction sequence not defined by human-centric linear timeframes but aligned with rhythms of the land guided by material and lunar cycles, pedogenic cycles, geological formation and seasonality.