Drawing from Delphi reactivates Dodona through the transposition of spatial, symbolic, and phenomenological dialectics drawn from Delphi. Central is the rearticulation of Delphi’s episodic pathway, ritual density, and stratified temporality, applied as architectural principles of sequencing, perceptual layering, and temporal accumulation.

In lieu of static preservation, the interventions compose a peripatetic dialogue between Dodona’s archaeological ruination and the cyclical transhumance of Vlach pastoralists, whose seasonal migrations, ad-hoc architectures, and oral tradition constitute an alternative heritage model. Hydro-social assemblages mediate this polyphonic landscape, enabling ritual continuity, socio-cultural resilience, and ecological reciprocity. Dodona is reframed not as inert dilapidation, but as an inhabited cultural palimpsest, where spatial syntax, material accretion, and mnemonic performance converge to sustain dynamic processes of cultural memory and collective inhabitation.