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Resurfacing Labour: Embodying gesture from the English Channel to the Thames
Vernacular Maps of Tibet: Srinmo and Gorshey
Resurfacing Labour and The Vernacular Maps of Tibet explore how land, labour, and cultural memory are mapped, erased, and reasserted through contested spatial imaginaries. Set across Camley Street, the Thames, and Tibet, they reframe sites of exchange—marketplaces, rivers, rituals, and dance—as architectures of endurance shaped by colonial, ecological, and economic pressures.
Resurfacing Labour traces trade ecologies along the Thames and English Channel through participatory installation, costume, sound, and gesture. It highlights women’s labour and celebrates marketplaces as democratic, resistant spaces opposing erasure by gentrification and privatisation.
The Vernacular Maps of Tibet contrasts imperial mining maps with the ancient Srinmo demoness map and Gorshey, a communal circle dance. By mapping dance as living resistance, sculpting land in clay, and layering speculative cartographies from ecological and spiritual traditions, the work asserts that space is not fixed but performed—shaped by ritual, movement, resilience, and repair.
Weekly YouTube footage of Tibetan circle dances visualised through pose estimation and motion-tracking using Google CoLab and Processing
Visualising Tibetan dance through concentric tracking of hands, feet, and body to render ghostly, layered mappings of motion.
Reenacting trade choreographies and oral storytelling through gesture on the English Channel, a historical threshold of labour movement.
Volunteers restage working-class gestures found in Victorian street photography, reactivating erased bodily knowledge of London’s markets.
Collaged drawings in ink and graphite exploring connections between marine labour, migrant memory, and the poetics of market space.